北京邮电大学学报(社会科学版) ›› 2010, Vol. 12 ›› Issue (2): 72-75.

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动画艺术中的“假”与观众的心理认同

朱险峰1,  邱贝莉2   

  1. 1浙江理工大学 艺术与设计学院,浙江 杭州310018;
    2北京邮电大学世纪学院 艺术与传媒学院,北京102613
  • 收稿日期:2009-02-06 出版日期:2010-04-30 发布日期:2010-04-30

Animation’s Hypothesis and Psychological Identity of Audience

 SHU  Jian-Feng-1,   Qiu-Bei-Chi-2   

  1. 1Art and Design Department, Zhejiang Sci-Tech University, Hangzhou 310018, China;
    2Art and Communications Department, CCBUPT, Beijing 102613, China
  • Received:2009-02-06 Online:2010-04-30 Published:2010-04-30

摘要:

 本文从观众心理角度分析了动画艺术夸张和想象表现的基础。观众认同动画既是一种商品也担负着传达人类情感与思想的媒体作用,动画是一种不以符合客观现实与否为主要衡量标准的艺术,追求的是一种心理真实。观众对动画的心理需求主要表现在寄托与释放、体验与享受、模仿与学习、追寻与憧憬、反省与哲思这几个方向。

关键词: 动画, 假定性, 心理认同, 心理需求

Abstract:

From the perspective of psychology of the audience, this article analyzes the foundation of exaggeration and imagination of animation The audience identifies animation as a kind of commodity as well as a media that can convey human emotion and thought Animation does not consider conforming to objective reality as the main measure of the art It is in pursuit of a psychological reality Psychological needs of the animation audience mainly manifested in the sustenance and release, experience and enjoy, imitation and learning, search and longing, introspection and philosophizing and such directions

Key words: animation, hypothetical, psychological identity, psychological needs

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