追求深度还是体验快感——阿多诺的美学思想对当代中国流行音乐的启示

Acta Metallurgica Sinica(English letters)

追求深度还是体验快感——阿多诺的美学思想对当代中国流行音乐的启示

侯琳琦

北京邮电大学文法经济学院

收稿日期:2007-03-21 修回日期:1900-01-01 出版日期:2007-06-30

Inpursuitofprofundityorpleasure——TheenlightenmentofAdorno’saesthetictheorytomodernChinesepopularmusic

Received:2007-03-21 Revised:1900-01-01 Online:2007-06-30

摘要/Abstract

摘要： 阿多诺以社会学角度为切入点,把流行音乐作为美学研究的中心课题,认为随着文化工业的兴起,音乐艺术已发生蜕变,失去了真实的个性和独立性。他以马克思对商品拜物教的经典分析为依据,对美国当时的大众文化进行了无情的鞭挞。阿多诺的批判性观点,对于处在重要转型阶段的中国流行乐坛,依然有着积极的现实意义,它时刻提醒人们,必须理性应对市场经济时代的媒介和文化。

关键词: 阿多诺, 文化工业, 流行音乐

Abstract: From the point of view of sociology,Adorno takes popular music as the centre of his aesthetic re- search.He believes that with the development of cultural industry,music art has changed qualitatively,lost its individuality and independence.According to Marx’s analysis of the Fetishism of the Commodity,Adorno fierce- ly criticized the American mass culture of that time.His critical idea is still of positive influence on Chinese pop music,which always warns people that mass media and culture should be dealt with rationally in the times of market economy.

Key words: Adorno, culturalindustry, popularmusic

中图分类号:

J601
J605

侯琳琦. 追求深度还是体验快感——阿多诺的美学思想对当代中国流行音乐的启示[J]. Acta Metallurgica Sinica(English letters).