隐秀与意境比较谈──中国古代文艺美学范畴研究

Acta Metallurgica Sinica(English letters)

隐秀与意境比较谈──中国古代文艺美学范畴研究

成远镜;

娄底高等师范专科学校中文系

收稿日期:2001-01-02 修回日期:1900-01-01 出版日期:2001-04-30

Acomparativestudyofthetwoaestheticalterms:implicationandartisticconception──astudyoftheaestheticalcategoryofliterature&artinancientChina

CHENG Yuan-jing

Department of Chinese Language & Literature; Loudi Teachers College;

Received:2001-01-02 Revised:1900-01-01 Online:2001-04-30

摘要/Abstract

摘要： 刘勰的“隐秀”论，强调“隐”与“秀”的契合和“余味曲包”，这些特点已符合意境的审美要求，因此，隐秀就是意境的最初形态。但隐秀的“秀”是一种局部的美，意境的“境”是一种整体的美；隐秀通常指一种含蓄的风格，意境指的是作品的韵味与风神，隐秀为意境的形成奠定了基础，意境是对隐秀的发展。

关键词: 隐秀, 余味曲包, 文艺美学, 美学研究

Abstract: Chinese ancient literati Liu Xie s theory of implication behind direct object plays emphasis on the melting of the implication behind direct object and the lingering charm in an indirect way,which just meets the requirements of the artistic conception in aesthesis, therefore , implication is the primary form of artistic conception. However, implication behind direct object reveals just the partial beauty in a certain way wherease the artistic conception reflects the entirety of abstract beauty. implication...

Key words: implication, tortuousinclusionofaftertaste, aestheticsofliteraure&, art, aestheticalstudy

中图分类号:

B3-05

成远镜;. 隐秀与意境比较谈──中国古代文艺美学范畴研究[J]. Acta Metallurgica Sinica(English letters).

CHENG Yuan-jing. Acomparativestudyofthetwoaestheticalterms:implicationandartisticconception──astudyoftheaestheticalcategoryofliterature&artinancientChina[J]. Acta Metallurgica Sinica(English letters).