Journal of Beijing University of Posts and Telecommunications(Social Sciences Edition) ›› 2010, Vol. 12 ›› Issue (2): 72-75.

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Animation’s Hypothesis and Psychological Identity of Audience

 SHU  Jian-Feng-1,   Qiu-Bei-Chi-2   

  1. 1Art and Design Department, Zhejiang Sci-Tech University, Hangzhou 310018, China;
    2Art and Communications Department, CCBUPT, Beijing 102613, China
  • Received:2009-02-06 Online:2010-04-30 Published:2010-04-30

Abstract:

From the perspective of psychology of the audience, this article analyzes the foundation of exaggeration and imagination of animation The audience identifies animation as a kind of commodity as well as a media that can convey human emotion and thought Animation does not consider conforming to objective reality as the main measure of the art It is in pursuit of a psychological reality Psychological needs of the animation audience mainly manifested in the sustenance and release, experience and enjoy, imitation and learning, search and longing, introspection and philosophizing and such directions

Key words: animation, hypothetical, psychological identity, psychological needs

CLC Number: