强弱文化的新寓意——论日本动画《借东西的小人阿莉埃蒂》

北京邮电大学学报(社会科学版) ›› 2014, Vol. 16 ›› Issue (2): 90-93.

强弱文化的新寓意——论日本动画《借东西的小人阿莉埃蒂》

北京邮电大学数字媒体与设计艺术学院，北京100876

收稿日期:2013-12-02 出版日期:2014-04-30 发布日期:2023-03-27
基金资助:
北京邮电大学青年科研创新计划专项课题项目（2013RC1304）；北京高等学校“青年英才计划”项目（YETP0455）；北京市哲学社会科学规划项目（13WYB047）

New Implied Meaning of Powerful and Weak Cultures#br# ——Analysis of Japanese movie Karigurashi No Arietta

School of Digital Media and Design Arts, Beijing University of Posts and Telecommunications,
Beijing 100086, China

Received:2013-12-02 Online:2014-04-30 Published:2023-03-27

摘要/Abstract

摘要：

在动画电影《借东西的小人阿莉埃蒂》里，人与自然力量的消长被转译成人类与借物族之间强与弱的抗衡和调和。这种抗衡和调和在影片中通过三个层次展开：强势族群中的弱者和弱势族群中的强者、弱者之强大与强者之弱小、强与弱的协调和互补。在物质占据主导地位的现实中，借物族最终放弃了与人类强与弱的抗衡，回归到自然本真的生活状态中。这种选择隐喻着人类与自然的深刻矛盾。

关键词: 日本动漫, 宫崎骏, 《借东西的小人阿莉埃蒂》；人与自然；电影评论

Abstract:

In the animated movie Karigurashi No Arietta, the growth and decline of the power of human beings and nature has been translated into the match and compromise between human beings and the borrow family The match and compromise is spread by 3 levels: the weak of the powerful group and the strong of the weak group; the strong of the weak and the weak of the strong; the compromise between the strong and the weak In the reality of a material society, the borrow family has given up contending against human beings, and come back to the nature The choice implies the deep contradiction between human beings and nature

Key words: Japanese animation, Hayao Miyazaki, Karigurashi No Arietta, human beings and nature, movie review

中图分类号:

J905

万柳. 强弱文化的新寓意——论日本动画《借东西的小人阿莉埃蒂》[J]. 北京邮电大学学报(社会科学版), 2014, 16(2): 90-93.

WAN Liu. New Implied Meaning of Powerful and Weak Cultures#br# ——Analysis of Japanese movie Karigurashi No Arietta[J]. Journal of Beijing University of Posts and Telecommunications(Social Sciences Edition), 2014, 16(2): 90-93.